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Admission Test GRE-Verbal Exam Syllabus Topics:

Admission Test Section One : Verbal Sample Questions:

1. The heart of the restorationist critique of environmental preservationism is the claim that it rests on an
unhealthy dualism that conceives nature and humankind as radically distinct and opposed to each other.
The crucial question about the restorationist outlook has to do with the degree to which the restorationist
program is itself faithful to its first principle- that nature and humanity are fundamentally united rather than
separate. Rejecting the old domination model, which sees humans as over nature, restoration theory
champions a model of community participation. Yet some of the descriptions of what restorationists are
actually up to-for example, Turner's description of humans as "the lords of creation," or Jordan's
statement that "the fate and well being of the biosphere depend ultimately on us and our relationship with
it"-do not cohere well with the community-participation model. Another holistic model-namely, that of
nature as an organism-might be more serviceable to the restorationists. As with the community model,
the "organic" model pictures nature as a system of interconnected parts. A fundamental difference,
however, is that in an organism the parts are wholly subservient to the life of the organism.
Which of the following best expresses the function of the first paragraph in relation to the second one?

A) To introduce opposing viewpoints, which are then evaluated
B) To identify a problem with a school of thought, which is then explored in detail
C) To establish the parameters of an ensuing debate
D) To provide an historical backdrop for a discussion of a modern-day issue
E) To discuss a secondary issue as a prelude to a more detailed examination of a primary issue

2. ENTICE : REPEL

A) lubricate:grease
B) officiate:preside
C) flourish:fade
D) implore:entreat
E) germinate:sprout

3. The 35-millimeter (mm) format became the standard for movie production around 1913. The mid-1920s
through the mid-1930s, however, saw a resurgence of wide-film (55-mm to 70-mm) formats. Development
then slackened until the 1950s, when widescreen film-making came back in direct response to the erosion
of box office receipts resulting from the rising popularity of television. This new era saw another flurry of
specialized formats, including Cinema-Scope and, in 1956, Camera 65, which Panavision developed for
MGM Studios and which was first used to film Raintree Country. Panavision soon contributed another key
technical advance, spherical 65mm lenses, which eliminated the "fat faces" syndrome that had plagued
CinemaScope films.
Though many films were made in widescreen formats during this period, these formats floundered
because of expense, unwieldy cameras, and slow film stocks and lenses. After the invention of a set of
3 5-mm anamorphic lenses, which could be used to squeeze a widescreen image onto theatrical screens,
film technology improved to the point where quality 70-mm prints could be enlarged from 35-mm
negatives.
It can be inferred from the passage that wide-film formats were

A) not used during the 1940s
B) in use before 1913
C) more widely used during the 1920s than during the 1930s
D) not used after 1956
E) more widely used for some types of movies than for others

4. COTTON : SOFT ::

A) iron : hard
B) wood : polished
C) nylon : strong
D) silk : expensive
E) wool : warm

5. SCIENTIAL:

A) stupid
B) ignorant
C) regressive
D) intuitive
E) gullible

Solutions: